75 years after the movie was largely snubbed on Oscar night,Sunset Boulevardstar Nancy Olson reflects on the film’s enduring legacy. Gloria Swanson and William Holden portrayed the bizarre co-dependent twosome at the center of Billy Wilder’s Hollywood gothic-noir, with Olson cast in the supporting role of a good-girl script reader who becomes the doomed Holden’s wholesome love interest.Nominated for 11 Oscars, including Best Picture, the film walked away with just three trophies, none for any of its nominated actors.

Olson was one of thoseSunset Boulevardstars left without a statue on Oscar night, and recently the 96-year-old reflected on being snubbed by the Academy, revealing how she knew ahead of time that she wouldn’t be winning, and reflecting on the film’s legacy after 75 years. Olson began by expressing her gratitude for her Best Supporting Actress nomination, the only nomination of her career (viaTHR):

A composite image from Mulholland Drive by David Lynch

“I did not expect to win and I did not win. I felt very rewarded being nominated and that was quite enough.”

Olson then explained how the seating arrangement at the Oscars' venue clued her in to the fact that someone else would take home Best Supporting Actress that evening (Josephine Hull won for the Jimmy Stewart comic fantasyHarvey):

A composite image of the ending of Sunset Boulevard

“I was seated in the back, on the side.”

The next year, Olson returned to the Oscars on behalf of her otherwise-occupied husband, composer Alan Jay Lerner, and received a much more promising seat:

Sunset_Boulevard_(1950_poster)

“He was in New York with his father who was dying. And so I picked up the Oscar for him. My seat was in the fourth row on the aisle — and I knew right away that Alan was going to get the award.”

Olson then discussed the movies competing withSunset Boulevardin 1950, including the classicsAll About EveandBorn Yesterday, the latter of which starred the night’s upset Best Actress winner Judy Holliday (who beat out screen legends Swanson and Bette Davis):

“I mean, they were all wonderful, wonderful movies. And I can understand why there was other choices. On the other hand, what is the most fascinating is that Sunset Boulevard has outlasted them all. The desire, the gravity that brings people to it is fascinating… Gloria Swanson and Billy Wilder, the picture, everything should have won.”

What This Means For Sunset Boulevard’s Legacy

Its Critical Reputation Remains Strong

Sunset Boulevardhad a chance to sweep the Oscar’s major trophies, with nominations for Best Picture, Best Director, and all four acting awards. It did walk away with three statues, for screenplay, black-and-white art direction and score, but its performance in the marquee categories was a major disappointment. Interestingly, it was another showbiz insider movie,All About Eve, that came away the night’s big winner, snagging six awards, including Best Picture.

Best Writing, Story And Screenplay

Charles Brackett, Billy Wilder and D.M. Marshman Jr.

Sunset Boulevard

Best B&W Art Direction

Hans Dreier and John Meehan art directors, and Samuel M. Comer and Ray Moyer set decorators

Arthur P. Schmidt and Doane Harrison

Best Scoring Of A Drama Or Comedy

Franz Waxman

Olson is incredibly gracious in appreciating her own Oscar nomination, and sounds like she was not too disappointed when her name wasn’t called 75 years ago. It’s her opinion that, in a way,Sunset Boulevardwas the ultimate winner overAll About Eveand the other films that beat it out, as their reputations have somewhat faded over the decades, while her movie continues to enthrall viewers after three-quarters of a century.

Our Take On Olson’s Assessment Of Sunset Boulevard’s Legacy

David Lynch Would Have Agreed With Her

There is much aboutSunset Boulevardthat feels fresh and fascinating even today. Firstly, Swanson’s performance as faded movie star Norma Desmond remains one of film history’s definitive portrayals of showbiz delusion. The movie’s strange, dark tone also remains compelling, Norma’s bizarre relationship with Holden’s hack screenwriter Joe becoming a study in noirish perversity. The film’s finale, in which Swanson fully unravels, madly believing herself to be shooting a new movie by Cecil B. DeMille, is included in nearly all packages highlighting the greatest movie endings.

Sunset Boulevard Ending Explained

Sunset Boulevard was one of the defining films of the 1950s, and its ending had a lot to say about the dark and comic world of Old Hollywood.

Sunset Boulevardstill does well on greatest movie lists after 75 years, placing 16th in AFI’s 2007 rundown, and 62nd in Sight & Sound’s 2022 director’s poll. The film’s influence on other filmmakers has also been undeniable, especially in the case of the lateDavid Lynch, whoseMulholland Drivebears many thematic similarities to Wilder’s 1950 noir. Oscar-winner Clint Eastwood also expressed his love for the film, calling it his all-time favorite. Overall, Olson is correct that of all the movies nominated for Oscars in 1950,Sunset Boulevardhas held up the best over time.