Warning: Potential spoilers ahead for The Lord of the Rings: The Rings of Power
The Lord of the Rings: The Rings of Powercould make one key change to improve its faithfulness as an adaptation, but it may not be what most people think. With “well over 150 million viewers watching and engaging with the show,” according to Amazon MGM Studios boss Jennifer Salke, “there’s no debate about whether or not the show will continue.” (viaVariety). Evidently not lacking in popular appeal,Rings of Powerseason 2contends with detractors targeting its faithfulness to its J.R.R. Tolkien source material, with even critiques of its writing often circling back to this point.
WithThe Rings of Powerseason 3inevitable, it is time to pin down what a more faithful show actually means. The mass appeal of Tolkien ensures a challengingly diverse and subjective idea of a faithfulLord of the Ringsadaptation. Avoiding out-and-out canon breaks - such as having Elendil alive during the Siege of Eregion - is a fairly universally agreed-upon point in this regard. But that critique is superficial and obsolete without suggesting a realistic alternative. Attempting to pinpoint that alternative reveals the complexity of the task and the insufficiency of the critique, but there is one clear way forward.
The Rings Of Power Can’t Have Faithful Details, So It Needs Faithful Themes
The Rings Of Power’s Source Material Presents Unique Challenges
The faithfulness thatRings of Powerseeks is not in its detail - there’s virtually none to adapt. It is in theme, which needs to come through in character arcs. Rights aren’t an issue as concerns the show’s faithfulness. Although the show has rights toThe HobbitandThe Lord of the Rings, it is securing one-off rights where it needs to. The huge gap between the format of the source material and the format of the show is the issue.This new show adapts an old textwritten in an even older style with little dialogue or graphic characterization.
Why It Doesn’t Matter If The Rings Of Power Isn’t Completely Faithful To Tolkien’s Second Age
The Lord of the Rings: The Rings of Power broke some of fantasy icon J.R.R. Tolkien’s canon but is getting away with it for a few key reasons.
With Tolkien’s legendarium originating in 1914, it will be 111 in 2025, just as worthy of an eleventy-first birthday party asBilbo Baggins inThe Fellowship of the Ring.Rings of Poweris not just adapting content over a century old, it is adapting the work of a scholar in Old English and Old Norse.The show adapts stories outlined inThe Lord of the Rings’appendices but fleshed out inThe Silmarillion, which is representative, in style, of quite a lot of the wider legendarium. LotR is a medieval romance but still feels fairly contemporary, unlikeThe Silmarillion.
In-universe,The Silmarillionis a collection of old Elvish mythsand stories. It uses the formal, elevated diction of epic poetry like the Old EnglishBeowulf, which Tolkien provided a brilliant translation of, or the Old NorsePoetic Edda, which Tolkien adored. It is not a novel and nor does it read like one. It reads more like the Bible or a historical textbook. There are few conversations recorded, few physical appearances detailed, and few messy, contradictory psychological states explored.Imagine adapting the Biblefor television - that accurately projects the amount of invention needed forThe Rings of Powerscreenplay.
…The Silmarillionis ageless because Tolkien was far ahead of his time.
Some may feel that such a text should never be adapted for the screen, and they shouldn’t watchThe Rings of Power. ButThe Silmarillionis ageless because Tolkien was far ahead of his time. There is much to be gained from adapting this timelessly relevant story if viewers accept the inevitable differences between the adaptation and the books. There is not enough detail inThe Rings of Power’ssource materialto create “word-for-word” scenes, plotlines, characters, or even timelines.Faithfulness must be pursuedthematically. In Tolkien’s own words, adaptations must perceive “the core of the original.”
The Core Of J.R.R. Tolkien’s Story Was Respecting Natural Life
Lord Of The Rings Is About Mortality
Tolkien confirmed in a letter that the “real theme” ofThe Lord of the Ringswas “Death and Immortality.” Tolkien’s legendarium encompassed many themes, but through it all,the core of the story was respecting natural life and not reaching for life beyond one’s means. Everyone who did this paid the price - Morgoth, Sauron, Gollum, Ar-Pharazôn,and Celebrimbor. This folly underlay Morgoth and Ar-Pharazôn’s tyrannical pursuit of power, and it was inextricably linked to Sauron’s pursuit of power, with unnaturally long life baked intothe Rings of Power. This was in keeping with Tolkien’s Catholic views.
Mortality was a gift inThe Lord of the Ringsand the Men that forgot it were in error.
The Lord of the Ringswas no allegory, but it contained allegorical elements. In many ways, theOne Eru Ilúvatarreflected Tolkien’s God, while Morgoth reflected the devil. Eru’s Godhood was equivalent to his ability to bestow the Imperishable Flame, life itself. In seeking the Flame,Morgoth sought Godhood itself, and indeed, he proved violently tyrannical. Following in his footsteps, Sauron forged rings that extended mortality unnaturally so he could become “God-King,” in Tolkien’s words.
Lord of the Rings’key theme played out across all its most important characters, and it has played out inRings of Power’scharacters where the show has been most successful.
Mortality was a gift and the Men that forgot it were in error. But even immortals looked for more life, proving that no life was ever long enough for one lacking faith. Meanwhile, some of Middle-earth’s greatest Elves - Elros, Lúthien, and Arwen - chose mortality over eternity.The character least affected by the One Ring had the most trust in Eru’s plan- Tom Bombadil saw no reason to participate in the War of the Ring. Neither Frodo nor Sam looked for power or life beyond their simple existences, which made them resistant to the One Ring.
More Focused Character Development Can Push This Theme Forward In The Rings Of Power Season 3
Lord Of The Rings' Key Theme Needs To Come Through In Rings Of Power’s Characters
Lord of the Rings’key theme played out across all its most important characters, and it has played out inRings of Power’scharacters where the show has been most successful. The parts of the show that have been the least faithful, or felt the least faithful, have been those that slipped a little too far from this theme. Galadriel’s revenge arc inThe Rings of Powerseason 1 was fashionable, but a little removed from this theme.Revenge is in vogue, as are strong female leads.
Rings of Powerfaces the same compromise as any adaptation - that between faithfulness and good drama that reaches a modern audience.The freedom provided by the show’s original characters shows the writers' potential for drama- they create amazing arcs. Adar’s character development was probably the best of the whole show, whereas Celebrimbor showed how compromise can challenge the show. His plotline may have been the most faithful, but his death didn’t carry half the dramatic impact as Adar’s.
The Letters of J.R.R. Tolkien,published in 1981, provides a range of Tolkien’s letters, offering huge insight into his work and beliefs.
For heroes to be heroic in modern drama, whether original characters or Tolkien characters, they have to convincingly overcome a struggle to reach their final position.Character development is keyto character-driven television. Meanwhile, more simplicity and focus on Tolkien’s key theme of mortality and how it manifests in each character’s struggle, whether they are original or not, would make it more faithful. Clarifying this key theme of mortality in all original and Tolkien characters is the North Star thatThe Rings of Powerneeds to be faithful and dramatic.
The Rings Of Power Is On The Right Track Conveying This Essential Tolkien Theme
Some Rings Of Power Characters Successfully Demonstrate Tolkien’s Key Theme
Elendil demonstrates how invented but compelling internal conflict can drive Tolkien’s key theme in the show. Elendil had unwavering faith in the books, opposing Pharazôn, who envied and demanded the Valar’s immortality. In the show,Elendil’s children symbolize different parts of him. Anárion represents Elendil’s faith and true self, buried and denied, while Eärien represents his doubt. Meanwhile, the original character Adar demonstrated not just excellent character development but the tension between mortality and immortality, bearing the hallmark of Tolkien’s great heroes - giving up a Ring of Power.
Morgoth couldn’t capture the Imperishable Flame, so he corrupted Elves into Orcs instead - “the vilest deed of Melkor, and most hateful to Illúvatar,” according to Tolkien. Tolkien wrestled with Orc rights throughout his life. In his older years, he gravitated toward the conclusion thatOrcs sprung from the Imperishable Flame, ultimately, like all other life on Middle-earth, and were therefore worthy of the same rights as other life - just as Adar said. The “new birth” that Morgoth offered Adar inRings of Powerwas the most fundamental of lies - Morgoth had no genesis to offer and never did.
Wearing Nenya miraculously reversed the effects of “the vilest deed of Melkor,” healing Adar from a twisted Orc back into an Elf. Using magic taught by Sauron,the rings were built to prolong the natural way of thingsfar beyond their given time. Adar proved the profundity of his redemption by recognizing the same folly in that ring as there had been in the wine he drank on that “dark and nameless peak.” No longer looking to Morgoth for dark, unnatural power, Adar finally accepted life the way it was inThe Lord of the Rings: The Rings of Power.
The Lord of the Rings: The Rings of Power
Cast
Set in the Second Age of Middle-earth, The Lord of the Rings: The Rings of Power explores the forging of the iconic rings, the rise of the Dark Lord Sauron, and the epic events leading up to the stories in J.R.R. Tolkien’s classic novels. The series chronicles the creation of legendary characters and the historic alliances and rivalries that shape the fate of Middle-earth.
