Martial arts moviesaren’t usually known for their gripping stories, but a rare few of them can break the mold of the genre with genuinely fantastic narratives alongside gripping action. For the most part, martial arts movies are given a lot of leeway when it comes to their stories, with gripping hand-to-hand fight scenes being the primary draw for audiences of the genre. That being said, some of thebest fight scenes in martial arts movie historycome from films with brilliant narratives that compliment the action.

Martial arts movies with earnestly great stories come in multiple varieties. Often, theperiod setting of martial arts filmsallows for some fascinating political and cultural drama sprouting from the relevant movements or historical events of the time they take place in. In other cases, lovingly choreographed action is used as an emotional vessel for two characters to hash out their relationship, mirroring the intimacy of other areas in life with the intimacy of combat.

Two men fighting with swords in John Woo’s Last Hurrah for Chivalry

10Last Hurrah For Chivalry

1979

A 70s Hong Kong martial arts film existing in thefilmography of John Woo,Last Hurrah for Chivalrymakes the most out of its Ming Dynasty setting and remarkable performances. The plot revolves around a distinguished swordsman, courtesy of Ti Lung, who is commissioned to seek revenge on behalf of a disgraced noble. From there, it’s up to Lung’s character to assemble a powerful team of warriors to aid him in his quest.

Along the way, the swordsman must face all manner of threats to his livelihood, from rival duelists to devious political manipulators. It’s fascinating how well Woo is able to marry political intrigue and heady dissertations on the meaning of chivalry with some of the best swordplay ever seen in a kung fu movie. For both its intense blade-wielding battles and thoughtful ponderings on chivalry as a code of ethics,Last Hurrah for Chivalryhas a lot to celebrate.

Feng Lu and Sun Chieng in Five Deadly Venoms.

9Five Deadly Venoms

1978

It’s a rare treat when the narratives of martial arts movies cross over with other, more traditional story structures, such as romance or horror. Thusly, it’s easy to see whyFive Deadly Venomsbecame one of the most popular kung fu movies of its era, drenching a typical whodunit mystery in exciting martial arts battles. The film centers on Yang Tieh, a kung fu student who is requested by his master’s dying wish to find each of his former pupils and examine how they used his teachings, taking them down if they strayed down the path of evil.

Each of the five deadly venoms has their own nickname based on a poisonous or venomous animal and a unique kung fu technique to back it up, making for some creative novelties in the film’s kung fu battles. They also have their own delicate role to play in the film’s overarching mystery, with a deliciously evil final villain that bears all the smug satisfaction of a typical thriller antagonist. Even the most cynical detractor who dismisses kung fu movies as mindless action can easily find something to enjoy about the intricate web of deceitFive Deadly Venomsweaves.

Donnie Yen fights opponents in Ip Man

8Ip Man

2008

In truth,the entireIp Manfranchise qualifiesfor the title of martial arts movie with the best balance of drama and action. Essentially prestige cinema wrapped with a generous helping of blisteringly fast kung fu action,Ip Manstars Donnie Yen as the titular character in his most famous role to date, playing the real life revolutionary and wing chun practitioner with deft skill. Taking place during the Japanese occupation of China, the film sees Ip go from a downtrodden worker to an inspiring symbol of Chinese cultural victory.

The firstIp Mansets a precedent for the rest of the series in exploring kung fu’s possibilities as a valuable cultural keystone for the Chinese people, even in their darkest hour. It helps that the actual fight choreography is top-notch, with Yen making wing chun look like the martial arts style to end all others.Ip Manis a triple threat that works as a character study, a political period drama, and a versatile action movie all at the same time.

Dragon Inn (1992) Donnie Yen as Tsao Siu-yan

7Dragon Inn

1967

Not all of the best kung fu action films with a beating narrative heart necessarily need to hail from China, as proven by Taiwan’sDragon Innin 1967. The film centers on the children of one Governor Yu, placed in grave peril after their father is politically outmaneuvered by a clever eunuch at court. It’s up to a crack team of four martial artists to save them from the wrath of the secret police at the legendary Dragon Gate Inn at the edge of China’s borders.

The political intrigue behind the conflict ofDragon Innis quite prototypical for the wuxia subgenre, with the film being among one of the most important in establishing such conventions early on. Even if the mission to rescue the Governor’s innocent children is a simple one, the tension thatDragon Innis able to maintain seeds genuine uncertainty into a nailbiting plot. Of course, the martial arts swordfighting also rivals some of the Shaw brothers' later work in Hong Kong in its complexity, complimenting the atmospheric story.

Michelle Yeoh as Yu Shu Lien holding out a sword in Crouching Tiger, Hidden Dragon.

6Crouching Tiger, Hidden Dragon

2000

The movie that put martial arts films on the map in terms of serious critical assessment,Crouching Tiger, Hidden Dragonis still such a venerated title in Hollywood and beyond for a good reason. The wuxia epic takes place in 19th century China, telling the story of the revered Green Destiny blade, a magical sword of great power. When the sword and its techniques are stolen by the daughter of the powerful Governor Yu, it’s up to two seasoned warriors to stop her juvenile wrath.

There are a lot of delicate themes explored by the winding narrative ofCrouching Tiger, Hidden Dragon,from gender roles to whirlwind romance to the slow poison of cynicism. The spirited Jen eventually becomes just as jaded as the blade she wields, leading to a tragic ending that feels almost Shakespearean in its profundity. Of course, it helps that the film has some of the most impressive wirework fight sequences ever conceived, including one of thebest sword fights in martial arts movie historyin Jen vs. Shu Lien.

A woman holding a scroll in her hand in Come Drink With Me

5Come Drink With Me

1966

Penned by the same director asDragon Inn, King Hu,Come Drink with Meis another tale of feisty fighting women and delicately dangerous swordplay that results in one of thegreatest wuxia films of all time, bar none. Once again, a local governor’s son is kidnapped, only this time around his rescuer is none other than his own sister, the mysterious and highly-decorated swordswoman, Golden Swallow. It’s up to Golden Swallow to navigate an army of deadly bandits with a little help from a disguised shaolin master and a few fellow female warriors.

As an early progenitor of wuxia films as they’re known today,Come Drink with Medeserves no end of credit in the martial arts movie space. However, its graceful fight sequences, more like delicate dances than outright brawls, still hold up today as something special. The revolutionary commentary of femininity as it relates to combat is also an important aspect of the story, which is all but unprecedented for such a historic film.

The Prodigal Son

4The Prodigal Son

1981

As if martial arts movies don’t have enough of a reputation as surface level spectacle,martial arts comediesare even harder to ascribe as narratively rich experiences. That being said,The Prodigal Sonbreaks that mold as a martial arts comedy with a touching message. Wealthy slacker Leung Chang is a half-hearted martial arts student who thinks himself to be a powerful fighter, only to learn that his rich father has been paying his opponents to lose on purpose.

This shocking discovery sends Chang into a spiral of introspection, vowing to apply himself and genuinely learn kung fu from a true master. Despite the silliness one might expect from such a premise, which certainly comes into play,The Prodigal Songets surprisingly dramatic, with a compelling inner journey that also delves into yet another deconstruction of Chinese gender norms. Of course, the cheeky humor and brilliant fight scenes cement the film’s place as a genuinely great story that also happens to feature excellent surface-level spectacle.

Jacki Chan posing in front of a crowd in legend of the Drunken Master

3Drunken Master II

1994

The Prodigal Sonisn’t the only martial arts comedy with a heart of gold worthy of consideration for even the most elite story connoisseurs. Billed simply asDrunken Masterin the United States,Drunken MasterIIcontinues the story of Wong Fei-hung after his training in the drunken boxing style in the first film. After a screw-up, Wong finds himself in possession of a valuable Chinese artifact sought after by the occupying forces of England, leading to a hopeful confrontation with the ruling class.

Again, the choreography, slapstick, and comedic timing to be expected of one ofJackie Chan’s strongest filmsis all well and good. But beneath the veneer of comedy and kung fu sits a heartfelt message about inaction vs pacifism and standing up to a hostile occupying government, especially noteworthy for the choice of the British consul as an exploitative villain. The strength of the Wong family is also a rich beating heart that drives the narrative, always at the forefront of Wong Fei-hung’s actions.

Michelle Yeoh as Evelyn Wang in a kung-fu stance in Everything Everywhere All at Once

2Everything Everywhere All At Once

2022

Not every martial arts film that succeeds on the basis of its story as well as its action is such a legacy picture.Everything Everywhere All At Oncewas quite a notable release in recent years, gaining prized accolades such as the Best Picture Oscar at the 2023 Academy Awards. The film follows Evelyn, a tired mother and co-owner of a laundromat who suddenly is thrust into a multiverse-spanning adventure of silly proportions as another version of her daughter seeks to consume the universe in oblivion.

Everything Everywhere All At Oncedeserves its recognition for a variety of reasons. The physical comedy, gag possibilities opened up by the multiverse concept, and impressive fight sequences with ordinary household objects all have their own appeal as exciting crowdpleasers. But it’s Evelyn’s touching journey of kindness in the face of nihilism, as well as her delicate relationship with her loved ones, that keep the film so highly-assessed, and rightfully so.

Andy Lau whispers to Zhang Ziyi in House of Flying Daggers

1House Of Flying Daggers

2004

Another wuxia epic deserving of critical accolades,House of Flying Daggersis a difficult film to dissect due to the sheer breathtaking beauty of its visuals. Widely renowned for its visual splendor, even ifHouse of Flying Daggershad a miserable story, it would be worth suffering through for the jaw-dropping stunts and unreal cinematography alone. Luckily, there’s a surprisingly deft and sound narrative lurking under the flashy imagery ofHouse of Flying Daggers,one that doesn’t get enough credit for the film’s success.

The film takes place in the collapse of the Tan dynasty, with one Tang assassin being sent to infiltrate and destabilize a rebel group growing in power, the titular House of Flying Daggers. However, the intrepid police officer Jin soon falls in love with one of his enemies. Complicating matters further is the scorned affections of another House of Flying Daggers member, creating a deadly love triangle that results in a tragic end. One of the strongest and bleakest romances inmartial arts moviehistory, the epic calamity ofHouse of Flying Daggersisn’t to be underestimated.